SAMPLE WORKFLOW

I will now take a Photograph from my Lightroom Library that has had basic edits applied and bring it into Photoshop for a text layer, an added half moon and then back to Lightroom. This is a simple image of a nice sky with silouetted trees in the foreground. We will add “Summer 2016” beneath the Sunset in dark area of the image and a moon somewhere in the sky.

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JUST SOME QUICK TEXT AT THE BOTTOM TO COMPLETE THIS FILE.

By hitting CMD (Or CTRL on PC) & E, the current file will be sent directly to Photoshop. When working with RAW files, all your edits in Lightroom will be visible in Photoshop. When editing NON RAW files, Lightroom will ask if you want to Edit the Original File or a Copy of the Original. This is important because sometimes we want to go back into Photoshop even after coming back to Lightroom. At that point, it would be a TIFF file (according to our settings). ONE IMPORTANT thing to remember when saving your files back to Lightroom is to always CLOSE THE FILE in Photoshop (photoshop online) once saved into Lightroom by hitting CMD/CTRL & W. The file will close immediately when doing this UNLESS further changes were made after the initial save.

THIS IMAGE, A SCREEN SHOT, SHOWS THE LAYERS USED IN THIS VERY SIMPLE DEMO AND MORE IMPORTANTLY SHOWS THE STACKING OF THE NEW FILE RIGHT NEAR THE ORIGINAL IMAGE INSIDE LIGHTROOM.

The layers shown are only there because I did a screen capture of just the layers panel and pasted it to the image just to show the layers used. This file was saved with all the layers so it could be opened again as the original TIF and you’d have access to everything except the HISTORY states within Photoshop, Once the file is closed, the History states are wiped out.

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PHOTOSHOP COLOR SETTINGS

After making the RAW file edits in Lightroom, we select from the PHOTO menu option “EDIT IN > Photoshop CC ### (Current Version)” or simply hit CMD or CTRL E to send the file to Photoshop. Now once here, it is imperative that we have Photoshop set up to accept the file into the working area with the proper settings.

COLOR SETTINGS

They are as follows:

For the Working SPACES, under RGB, set it to ProPhoto RGB. You can leave CMYK set to this setting – we are not concerned with this right now (You may want to contact your commercial Printer to ask which setting they recommend). GRAY can be set to 1.8 because this is what has been recommended as the best option when working with ProPhoto RGB. Sean Bagshaw is a top photographer who recommends this in his training series dealing with Luminosity Masking.

Color Management Policies can be set as such but it is personal preference if you are asked when Opening or Pasting.

Under Conversion Options Engine set to Adobe (ACE) is to be left this way.

Intent is set to Relative Colorimetric by default and that’s fine for graphics and design work but for continuous tone photographic images, Perceptual is the best setting to use, especially in regards to digital photography.

Those are all the settings you need for Lightroom and Photoshop to work together in perfect harmony in a professional RAW, 16 BIT workflow.

Color Space in photoshop

When you import a RAW file into Lightroom’s catalog (And you should be shooting RAW!), there isn’t any option for you to choose which color space you will be working in. When we edit RAW image data in Lightroom’s Develop module, the software is working in a color space very close to ProPhoto RGB. It is a variation which is called Melissa RGB and the technical differences or similarities between the two are outside the scope of this article. Simply put, Lightroom is working in the ProPhoto RGB color space for all we are concerned – the widest color space available. Widest simply means the most colors. And in this case, we are talking MILLIONS AND MILLIONS AND MILLIONS! In fact, many of these colors are “theoretical” and scientific – the human eye cannot even distiguish many of these colors.

cool

That being said, it is very simple and understandable that we want to use ProPhoto RGB as the color space. Why would we not want the most available colors to work with? It is true that the WEB and most of our displays, even the high Resolution Apple Retina displays, are sRGB displays. They don’t have the wide color gamut of Adobe RGB and certainly not the millions upon millions of colors that ProPhoto RGB contains. So why not select sRGB? The answer to that is – WHY would you? The file is the file. We aren’t exporting this to the web or print just yet. So it is best to keep all those colors even though we cannot see them. Remember, when you export your files from LIGHTROOM to the web, you THEN have the option to export to sRGB and at that point you probably should since the WEB works in sRGB and many printers work best with sRGB files. This is changing, however, as many 8 and 12 ink printers now offer color gamuts that are greater than even the Adobe Color Space. The more saturated the colors, the bigger color change you will notice when exporting out to file and sRGB (explained later). Eventually, through technology, we will hopefully have displays and printers that will display and print ProPhoto for the full color range available.

But what we are discussing here is bringing the RAW file with edits applied to a PIXEL based editor so we want all the information, including color, as we can get. After all, if you work on a file ONLY in Lightroom and export it, you’re basically working in ProPhoto and then putting it out to file.

Here is an example. This contains a layer on top that was exported to Photoshop with ProPhoto Space (TOP) and sRGB (Bottom). You will be hard pressed to tell the difference here. When in Photoshop, you can just barely see the ProPhoto file as having slightly more color – especially in the rich and saturated colors. Here, with strong compression, it may not be possible to see any difference. Which begs the question – why not just use ProPhoto Color Space? You should!

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A Brief Overview of Illustrator

Storytelling-Illustrator

Illustrator is a program used to create vector based art. A vector is a quantity that has magnitude and direction and that is commonly represented by a directed line segment whose length represents the magnitude and whose orientation in space represents the direction. I know that definition sounded extremely complicated, but the basic idea is that vector graphics use mathematical calculations to create art. Don’t worry, I didn’t really understand it at first either, but I promise it’ll make more sense once you keep reading. In vector art, the computer uses a system of math to make sure artwork stays sharp and clear no matter how large you scale it. The technique used to create artwork is very similar to the way you would create artwork in Photoshop. Although vector art is created using a mathematical algorithm, the user doesn’t need to know or really understand that algorithm. The computer takes care of all the hard work and does all the math for you. If you have a digital drawing tablet, you can draw your artwork just as you would on a piece of paper. The important concept to remember is: vector art can be scaled infinitely and maintain clarity, but pixel based artwork cannot.

What Is Illustrator Used For?

Illustrator is used for making art that needs to be produced at a variety of sizes. Logos and branding are to most common uses for Illustrator, because they need to be scaled up and down to fit the size of the product. Logos can appear on objects as small as business cards and as large as billboards on the highway. Vector art isn’t just limited to logos though. Most large scale printed media contains vector artwork. This could include: posters, banners, clothing designs, window decals, and flyers.

Like Photoshop, Illustrator has several uses. Many artist and designers use Illustrator to create resumés, mobile application layouts, ebooks, brochures. comic books, magazines, etc. The possibilities are only limited to your imaginations and creativity. The uses for Illustrator can be very similar to those of Photoshop, the distinction comes from Photoshop being a pixel based program and Illustrator being a vector based program.

Photoshop And Illustrator Make A Great Team?

Each program can create some amazing things, and when you combine the power of Photoshop and Illustrator you get incredible works of art. The primary reason to combine Photoshop and Illustrator is to give your vector artwork a new level of dimension. There are some special effects such as glows, drop shadows, and 3D included in Illustrator, but they’re very primitive compared to the tools available in Photoshop. Ideally, you would create the basic artwork in Illustrator; then import that artwork into Photoshop to enhance it. You may want to add true 3D to a character you created in Illustrator, or you may want to give some food you created a more realistic look. Photoshop provides a way to truly refine your vector artwork.

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You should learn Photoshop

There are many reasons why you should learn Photoshop. Learning Photoshop is essential if you work in a graphic design, web design, or user experience role. Yet it is also equally important to learn Photoshop for those working in hands-on marketing roles. Whether creating flyers, brochures, or email newsletters, there is a need to know Photoshop for optimizing and retouching images.

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Learning Photoshop to get a job
For those just entering the workforce, Photoshop can be a great skill to help you get a job. Many jobs require Photoshop skills, and this is especially true with design roles such as graphic designer, web designer, or user interface designer. Marketing roles also often prefer someone who can work efficiently with Photoshop. In a competitive job market, learning Photoshop skills can help to differentiate you from other applicants.

Learn Photoshop to improve your career
If you already have a job, adding Photos edit to your list of skills can make you a more valuable employee. It allows you to work on a variety of additional projects and may provide opportunities for advancement or the ability to work on a more diverse set of projects. From website work to marketing projects and even product design, Photoshop can play a vital role in many positions.

Learning Photoshop for Personal Use
While learning Photoshop can enhance your career opportunities, it can also be personally rewarding. Whether using Photoshop to retouch images, or to create compositions adding text and graphics, or building a funny animated GIF, you can put Photoshop skills to use in many ways. By learning Photoshop you’ll also have a fun outlet for your creative projects, whether working on a website, volunteering to assist with images for friends or an organization, or adding some fun to images you share on social media. While Photoshop is a powerful business tool, it also has a fun side as well.

Options for learning Photoshop
You can take classes to learn Photoshop, or read Photoshop books, or you can also practice using free tutorials online. The method you use depends upon how fast and how in-depth you wish to learn.

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Free online Alternatives to Photoshop

Photoshop is tool photos edit but it costs money. Now, you are plenty of completely online photo editor Alternatives to Photoshop. The only thing you need to do is the computer running Adobe Flash Player. So it won’t work in mobile web browsers, but it’s a solid choice for desktop-bound photographers.

Photoshop Online

The Photoshop Alternatives uses the most basic features of Photoshop. The app lets you crop, rotate and resize pictures, adjust the usual variables like brightness and contrast, and remove red-eye. There’s also a useful Touchup tool that lets you correct minor blemishes in your pictures.

Upload a photo and you’ll be presented with a tabbed interface. The Basic tab contains everything you need for quick jobs like resizing, cropping, rotating, flipping, and adjusting contrast, brightness, hue and saturation. There’s also a one-click optimization tool to give washed out pictures a quick boost, and a red-eye corrector. Stickers, and simple drawing tools.

Beautify includes smoothing and sharpening tools, a healing brush and a wrinkle remover, and the distortion tab contains a set of simple liquify tools. Those might prove handy, but the really interesting stuff is tucked away under the last tab.

Online Photoshop Free: http://photoshopalternative.com

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The Photoshop Online Alternative requires Adobe Flash Player

Alternative is online photoshop free editor

Photoshop Online Tools

This is the excerpt for your very first post.

Photos edit, it’s free and easy to use, get your hands on, create an image, or upload from your PC to edit. Photoshop Online Alternative is a perfect alternative to Photoshop √ You can add filters, frames, text, layers and effects √ Create an amazing photo collage, card, facebook cover, twitter cover, instagram images, youtube channel or design graphics.

Photoshop Online
Photoshop Online

Create New image , Open file from your computer (browse your computer to select), open image from URL (specify an URL), open images from library (images from pixlr, facebook or other library), you can also download pixlr on your iphone or android.

The web based version of photoshop is slightly similar to the desktop version, the top menu and the basic tools at the left sidebar are identical.

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